The Seven Wonders of the World
Most people know about the Seven
Wonders
of the World and can name a few, the Great Pyramid and the
Hanging Gardens of Babylon being the two most often remembered. Though the
current list is the best known it actually took centuries to compile. The Greek
writers, Antipater of Sidon, and Philon of Byzantium, drew up two of the lists.
Some lists contain such ancient wonders as the Walls of the City of Babylon and
the Palace of Cyrus, King of Persia, though the Great Wall of China or
Stonehenge would probably have made it had they been known.
The first reference to the idea of a list is mentioned
by Herodotus in his work The History by Herodotus, as long ago as the 5th
century BC. Callimachus of Cyrene (305BC-240BC), Chief Librarian of the
Alexandria Mouseion, wrote "A Collection of Wonders around the World".
Unfortunately this list was destroyed with the Alexandria Library. The oldest
reference to the current list comes from the engravings by the Dutch artist
Maerten van Heemskerck (1498-1574), and Johann Fischer von Erlach's "History of
Architecture." Not all the Seven Wonders existed at the same time a good reason
for the variations in some of the lists.
All but one of the Seven Wonders are gone, the Pyramids
at Giza being the sole survivor on the list and the only one that we have
specific knowledge of relating to appearance. The Colossus of Rhodes only stood
for 56 years before an earthquake brought it down. There are descriptions and
these are included in the individual sections, where available. ![]()
The Hanging Gardens were
located on the east bank of the River Euphrates, south of Baghdad, Iraq.
Nebuchadnezzar II is credited for building the legendary Hanging Gardens to
please his wife who had been "brought up in Media and had a passion for mountain
surroundings", but they are also associated with the Assyrian Queen Semiramis.
There are no drawings but there are brief descriptions from the writings of
Diodorus Siculus, Strabo and Philo of Byzantium:
"The approach to the Garden sloped like a hillside and
the several parts of the structure rose from one another tier on tier... On all
this, the earth had been piled... and was thickly planted with trees of every
kind that, by their great size and other charm, gave pleasure to the beholder...
The water machines [raised] the water in great abundance from the river,
although no one outside could see it."
"The Garden is quadrangular, and each side is four
plethra long. It consists of arched vaults which are located on checkered
cube-like foundations.. The ascent of the uppermost terrace-roofs is made by a
stairway..."
"The Hanging Garden has plants cultivated above ground
level, and the roots of the trees are embedded in an upper terrace rather than
in the earth. The whole mass is supported on stone columns... Streams of water
emerging from elevated sources flow down sloping channels... These waters
irrigate the whole garden saturating the roots of plants and keeping the whole
area moist. Hence the grass is permanently green and the leaves of trees grow
firmly attached to supple branches... This is a work of art of royal luxury and
its most striking feature is that the labor of cultivation is suspended above
the heads of the spectators".
According to the writings of a Babylonian priest, they
were approximately 400 feet square and 75 feet above the ground. His account
says slaves working in shifts turned screws to lift water from the nearby
Euphrates River.
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Statue of Zeus at Olympia
The statue was located in the ancient town of Olympia, on the west coast of
modern Greece, west of Athens. The first Olympic Games were held there in 776 BC
and a temple was built by Libon of Elis to honor the god Zeus. The temple,
completed in 456 BC, was not considered lavish enough so the Athenian sculptor
Pheidias was commissioned to create a statue for the inside around 440 BC. The
base of the statue was about 20 ft and the height of the statue itself was 40
ft, equivalent to a modern 4-story building.
Strabo wrote: ".. although the temple itself is very
large, the sculptor is criticized for not having appreciated the correct
proportions. He has shown Zeus seated, but with the head almost touching the
ceiling, so that we have the impression that if Zeus moved to stand up he would
unroof the temple."
The Greek Pausanias wrote: On his head is a sculpted
wreath of olive sprays. In his right hand he holds a figure of Victory made from
ivory and gold... In his left hand, he holds a sceptre inlaid with every kind of
metal, with an eagle perched on the sceptre. His sandals are made of gold, as is
his robe. His garments are carved with animals and with lilies. The throne is
decorated with gold, precious stones, ebony, and ivory.
The statue was transported by the Greeks to a palace in
Constantinople, present-day Istanbul, Turkey, where, it survived until it was
destroyed by a severe fire in AD 462. All that remains in Olympia are the
temple's fallen columns and the foundation of the building.
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Temple of Artemis (Diana) at Ephesus
The temple was located in the great Ionian city of Ephesus near the modern town
of Selcuk, about south of Izmir (Smyrna) in Turkey. It was built around 550
BC, by the Lydian king Croesus and designed by the Greek architect Chersiphron
and his son, Metagenes to honor of the Greek goddess of hunting, wild nature,
and fertility. It was one of the largest and most complex temples built in
ancient times and required over a century to complete. The temple served as
both a marketplace and a religious institution. For years, merchants, tourists,
artisans, and royalty who paid homage to the goddess, from as far as Persia and
India visited the sanctuary.
The temple was rectangular and constructed of Parian
marble with a decorated facade overlooking a spacious courtyard. Marble steps
surrounding the building platform led to the high terrace, 260 feet by 430 feet.
There were 127 columns, 60 feet high, with Ionic capitals, and carved circular
sides, and the structure was capped with a tile-covered wooden roof. It also
contained four bronze statues sculpted by Pheidias, Polycleitus, Kresilas, and
Phradmon. The temple housed works of art, by the finest artists at the time.
When the Apostle Paul visited the city, the temple was adorned with golden
pillars and silver statuettes, and was decorated with paintings.
In 356 BC, a man named Herostratus burned the temple.
Alexander the Great was born the same night the temple was destroyed and he
actually helped rebuild the temple when he conquered Asia Minor. The Goths
again destroyed the temple in AD 262. The Apostle Paul visited Ephesus to
preach Christianity in the first century AD, and was confronted by the Artemis'
cult who had no plans to abandon their goddess. The final destruction came when
in AD 401 St John Chrysostom razed the temple and Ephesus was eventually
deserted. Although excavation was begun in the late 1880s and some attempts to
rebuild the temple have been made, only the foundation and few columns remain.
Antipater of Sidon wrote: "But when I saw the sacred
house of Artemis that towers to the clouds, the [other Wonders] were placed in
the shade, for the Sun himself has never looked upon its equal outside Olympus."
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Mausoleum at Halicarnassus
The Mausoleum was located in the city of Bodrum, formerly, Halicarnassus the
capital of Caria , on the Aegean Sea, in south-west Turkey. From 377 to 353 BC,
King Mausollos was a provincial king in the Persian Empire who moved his capital
to Halicarnassus. His wife and sister Artemisia conceived the project, and the
construction probably started during the king's lifetime. It was designed by the
Greek architects Satyrus and Pythius and completed in 350 BC, three years after
the king's death.
The Mausoleum remained in good condition for over 1500
years until an earthquake damaged it. In the early fifteenth century, the
Knights of St John of Malta invaded the region and built a massive castle using
the stones of the Mausoleum. By 1522, almost every block of the Mausoleum had
been used for construction on the castle, which still stands in Bodrum. The
polished stone and marble blocks of the Mausoleum can be still be found in the
walls of the castle.
The Mausoleum was rectangular, 120 feet by 100 feet and
the total height was140 feet. Overlying the foundation was a stepped podium with
sides adorned with statues. The burial chamber and the sarcophagus were of white
alabaster decorated with gold located on a podium and surrounded by Ionic
columns. The colonnade supported a pyramid roof, which was also decorated with
statues. A statue of a chariot pulled by four horses capped the top of the tomb.
The decorations and statues that adorned the outside at different levels on the
podium and the roof which were images of people, lions, horses, and other
animals rather than Greek gods. This adds to the unique nature of the
structure. The statues were carved by four Greek sculptors: Bryaxis, Leochares,
Scopas, and Timotheus, each responsible for one side. The name Maussollos is of
course the origin of the word mausoleum
“I have lying, over me in Halicarnassus, a gigantic
monument such as no other dead person has, adorned in the finest way with
statues of horses and men carved most realistically from the best quality
marble.”
King Maussollos, from Lucian's "Dialogues of the Dead"
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The Colossus of Rhodes
The Colossus was located at the entrance of the harbor of the Mediterranean
island of Rhodes, in Greece. It was actually built with funds obtained from the
sale of weapons left behind by a failed attempt to conquer the island by the
Antigonids of Macedonia in 305 BC. It was built to honor the sun god, Helios in
282 BC and stood at the harbor entrance, until an earthquake brought it down in
226 BC. The city was badly damaged, and the Colossus was broken at its weakest
point, the knee. For almost a millennium, the statue lay broken in ruins. In AD
654, the Arabs invaded Rhodes. They disassembled the remains of the broken
Colossus and sold them to a Jew from Syria. It is said that the fragments had to
be transported to Syria on the backs of 900 camels.
The project was commissioned by the Rhodian sculptor
Chares of Lindos and required 12 years of construction. To build the statue, his
workers cast the outer bronze skin parts. The base was made of white marble, and
the feet and ankle of the statue were first fixed. The structure was gradually
erected as the bronze form was fortified with an iron and stone framework. When
the colossus was finished, it stood 120 feet high, on a 50-foot pedestal. The
structure was the inspiration for the French sculptor Auguste Bartholdi who
built The Statue of Liberty. Though the bodies are the same size the Statue
stands higher because of the taller pedestal and upraised torch.
To you, O Sun, the people of Dorian Rhodes set up this
bronze statue reaching to Olympus when they had pacified the waves of war and
crowned their city with the spoils taken from the enemy. Not only over the seas
but also on land did they kindle the lovely torch of freedom. Dedicatory
inscription of the Colossus
"From its building to its destruction lies a time span
of merely 56 years. Yet the colossus earned a place in the famous list of
Wonders. The Colossus of Rhodes was not only a gigantic statue. It was rather a
symbol of unity of the people who inhabited that beautiful Mediterranean island"
Rhodes.
"Even as it lies, it excites our wonder and admiration.
Few men can clasp the thumb in their arms, and its fingers are larger than most
statues. Where the limbs are broken asunder, vast caverns are seen yawning in
the interior. Within it, too, are to be seen large masses of rock, by the weight
of which the artist steadied it while erecting it."
Pliny the Elder.
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The Lighthouse of Alexandria
Located on the island of Pharos at the Alexandria Harbor in Egypt, the beacon of
this lighthouse could be seen for up to 100 miles and guided sailors into the
city harbor for 1,500 years. The project was started shortly after the death of
Alexander the Great, by his commander Ptolemy Soter around 290 BC, and was
completed after Ptolemy's death, during the reign of his son Ptolemy
Philadelphus.
The lowest square of the structure was 180 feet high
with a cylindrical core, the middle octagonal had a side length of 60 feet and a
height of 90 feet and the top circular stage was 24 feet high. The total height
of the building including the foundation base was almost 400 feet. Due to a
possible misinterpretation of the measurements, it may have been as tall as 600
feet, making it the tallest structure built in the world, until the 20th
century. The internal core was used as a shaft to lift the fuel needed for the
fire. At the top stage, the mirror reflected sunlight during the day, while
fire was used during the night. A statue of Poseidon adorned the summit of the
building.
Sostratus, a contemporary of Euclid, was the architect
and it was dedicated to the Savior Gods, Ptolemy Soter, (literally savior), and
his wife Berenice. For centuries, the Lighthouse of Alexandria, also called the
Pharos Lighthouse, was used to mark the harbor, and was even shown on Roman
coins, as famous monuments are depicted on currency today. There are stories
that the reflective mirror could be used as a weapon to concentrate the sun and
set enemy ships ablaze as they approached. Another tale says that it was
possible to use the mirror to magnify the image of the city of Constantinople
from far across the sea to observe what was going on there.
The lighthouse was apparently a tourist attraction.
Food was sold to visitors at the observation platform at the top of the first
level. A smaller balcony provided a view from the top of the eight-sided tower.
There were few places in the ancient world where a person could ascend a
man-made tower to get such a perspective.
In 1303 and in 1323 two stronger earthquakes brought
the lighthouse down. Reports indicate the final collapse came in 1326. When the
Arab traveler Ibn Battuta visited Alexandria in 1349, he could not enter the
ruined monument. In 1480 the Egyptian Mamelouk Sultan, Qaitbay, built a
fortress on the same spot where the Lighthouse stood, using the fallen stone and
marble. The structure inspired the word "pharos" which means lighthouse in
French, Italian and Spanish. In November 1996, a team of divers searching the
Mediterranean Sea claimed to have found the ruins of the fabled lighthouse of
Pharos.
The lighthouse's designer, Sostrates of Knidos, being
proud of his work, desired to have his name carved into the foundation. Ptolemy
II, the son who ruled Egypt after his father, refused this request wanting his
own name to be the only one on the building. A clever man, Sostrates had the
inscription, "Sostratus, the son of Dexiphanes, the Cnidian, dedicated this to
the Saviour Gods, on behalf of those who sail the seas.", chiseled into the
foundation, then covered it with plaster. Into the plaster was chiseled
Ptolemy's name. As the years went by the plaster aged and chipped away revealing
Sostrates' declaration.
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Pyramids of Egypt
Located at Giza, 10 miles across the Nile River from Cairo, the Great Pyramids
appear more like a mountain range than a group of buildings. The Great Pyramid
and its nearest neighbor, The Pyramid of Khafre are the largest and second
largest structures on the planet, respectively. There are 8 other pyramids on
the Giza Plateau but these two dwarf them.
The Great Pyramid is the crown jewel of the Giza
Complex. It is 481 feet high and the base covers an area of more than 13
acres. It was constructed of 2.5 million stone blocks, none weighing less
than a ton, with some exceeding 70 tons. Despite many theories about the
origin of this structure, very little is known. It was said to have been built
by the Pharaoh Khufu around 2700 BC as a mausoleum. There is no indication that
Khufu was ever involved in it's construction and evidence exists that the Great
Pyramid is perhaps thousands of years older than the accepted age. There is
also no evidence that it was ever used as a tomb. Research has also shown that,
in fact, it is hard to believe the structure was even built by humans.
What we do know makes this, not only the last of the
Seven Wonders remaining but, no doubt, the greatest structure ever built. It is
the largest solid structure on earth and the largest and most complicated
construction project ever undertaken, modern times included. It was built to
withstand massive earthquakes and has survived many major events. Despite
natural forces, it is still the most level and square megalithic structure ever
built and the most accurately aligned structure on earth. It’s design reflects
the exact curvature of the earth, it was built to the exact mean height of the
earth’s land mass, and it is located at the geographical center of the earth’s
land mass.
Like Lighthouse of Pharos the reflection from the
jewel-smooth surface could be seen for over a hundred miles. The
mathematical and engineering wonders of The Great Pyramid would take hundreds of
pages to detail but perhaps the no better thing can be said than this: Man
fears time but time fears the pyramids.
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